Sala da Nação – Embaixada de Terra Nenhuma by Paulo Moreira & Kiluanji Kia Henda. The Real and Other Fictions at the Lisbon Architecture Triennal. Photograph © Catarina Botelho.

Sala da Nação – Embaixada de Terra Nenhuma by Paulo Moreira & Kiluanji Kia Henda. The Real and Other Fictions at the Lisbon Architecture Triennal. Photograph © Catarina Botelho.

(Source: metalocus.es, via thinkingimages)

@6 days ago with 22 notes

(Source: struanteague, via huldrapress)

@6 days ago with 145 notes
magictransistor:

Johann Jakob Scheuchzer, Physica Sacra (Hand-book of Natural Philosophy), c. 1731.

magictransistor:

Johann Jakob Scheuchzer, Physica Sacra (Hand-book of Natural Philosophy), c. 1731.

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@6 days ago with 474 notes
markagoodwin:

studio 2014
mark goodwin

markagoodwin:

studio 2014

mark goodwin

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@6 days ago with 653 notes
huldrapress:

Anselm Kiefer
Ausbrennan des Landkreises Buchen, 1974
Bound original photographs, ferric oxide and linseed oil on woodchip paper (210 pages)

huldrapress:

Anselm Kiefer

Ausbrennan des Landkreises Buchen, 1974

Bound original photographs, ferric oxide and linseed oil on woodchip paper (210 pages)

@6 days ago with 73 notes
@6 days ago with 111 notes
mpdrolet:

Ren Hang
@1 week ago with 1123 notes
definitivegaze:

Sehnsucht / Katrien De Blauwer

definitivegaze:

Sehnsucht / Katrien De Blauwer

(Source: katriendeblauwer.com, via saf-rimons)

@2 weeks ago with 1327 notes
halfreaction:

gerard richter

halfreaction:

gerard richter

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@6 days ago with 20 notes
huldrapress:

Marianne Dages

huldrapress:

Marianne Dages

@6 days ago with 18 notes

in ‘interfunktionen 3,’ 1969
Offset; on page 83 of publication
magazine, 29.5 x 22 cm
Edition: 50, signed and numbered
Publisher: F. W. Heubach, Cologne

[in ‘interfunktionen’]

  • 1969–1971
  • interfunktionen issues 2–7, containing multiples by Beuys

Cologne-based F. W. Heubach founded the art and theory magazine interfunktionen in 1968. He used this publication as a platform for artists who held no affinity for Pop Art, kinetic art, environmental art and minimalism, which had dominated that year’s documenta 4 exhibition.1 Published at irregular intervals over the next seven years, the twelve issues of the magazine served as vessels for distributing information and as artworks in their own right. With a changing roster of authors and editors, interfunktionen became an influential voice in the West German art world.2 Fifty to sixty copies of each issue’s print run were special editions, containing contributions by invited artists.

Asked to contribute to issues two through seven of interfunktionen, Beuys used the magazine to publish photographs of his recent performances, print texts on topics like the ideal art academy, or reproduce existing drawings and other artworks. By adding stamps, inscriptions, and hand-collaged elements to this material, he transformed it into a series of multiples.


Catalogue Raisonné No.: 10

in ‘interfunktionen' - I am a sender. I transmit!

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@6 days ago with 212 notes
huldrapress:

Anselm Kiefer
Ausbrennan des Landkreises Buchen, 1974
Bound original photographs, ferric oxide and linseed oil on woodchip paper (210 pages)

huldrapress:

Anselm Kiefer

Ausbrennan des Landkreises Buchen, 1974

Bound original photographs, ferric oxide and linseed oil on woodchip paper (210 pages)

@6 days ago with 73 notes

huldrapress:

Equivalents

Marianne Dages, letterpress prints, 2014

via Huldra Press Blog

@6 days ago with 83 notes
@1 week ago with 99 notes
solsetur:

Vanessa Walters
@1 week ago with 194 notes